> > Carter… You know, Until today, I didn’t know what he said at the start of Winter Contingency? In the falcons? First line of gameplay and he mumbles it. “Shoot down attempts are likely, so keep your distance”… I genuinely thought he said something like “Keep down the temperature lightly”.
>
> Oh, that’s what he said…
>
> To me it always sounded like “Shoot down the central likeness, so keep your distance.” or something like that.
Until this day I also didn’t know what he said. I attributed that to his general “mumbliness”. And for me it always sounded like “shoot down sensors lightly” which makes absolutely no sense whatsoever.
As for the voice acting, the only character’s voice acting I like is Jorges. Don’t know how else to describe it, but with everyone else I have that picture in my head of the voice actors standing in the studio and reading their lines when I hear them talking during the campaign. But not with Jorge.
It’s not so much that the Chief sounds amazing, Noble Team had less than brilliant voice acting and it was far more noticeable as they were talking all the time.
> I find it funny people complain about how Noble Team’s voice acting sucks, but get won over with one-liners by Master Chief.
They have a lot more dialogue than MC ever did. All MC has to do is sound like a badass. And he has zero combat dialogue. He’s never in a panic, he’s the -Yoinking!- masterchief. When a regular marine is under fire and yelling for help, a bit more “acting” is necessary.
People, as much as I don’t want to say this I feel I must. Truly awful voice acting isn’t the fault of the actor. It is the fault of the director for not getting the right emotion out of the voice actor. Really in Reach it seemed like the extras were the problem. I also agree with the opinion on Noble team. Kat and Jorge were fine, Emile and Jun were -bleh-, and Carter was just boring. Also (although we won’t have to deal with this again because THE CHIEF IS BACK BABY!), Noble 6, both the male and female versions, felt like they had zero emotion throughout the whole game. Look at a game like Mass Effect or Dragon Age 2 and the male and female voice actors actually portray a varity of emotions.
> People, as much as I don’t want to say this I feel I must. Truly awful voice acting isn’t the fault of the actor. It is the fault of the director for not getting the right emotion out of the voice actor. Really in Reach it seemed like the extras were the problem. I also agree with the opinion on Noble team. Kat and Jorge were fine, Emile and Jun were -bleh-, and Carter was just boring. Also (although we won’t have to deal with this again because THE CHIEF IS BACK BABY!), Noble 6, both the male and female versions, felt like they had zero emotion throughout the whole game. Look at a game like Mass Effect or Dragon Age 2 and the male and female voice actors actually portray a varity of emotions.
> I understand all of your dismay, but in my opinion they were just trying to emulate how actual military communication should sound. They’re not going to be panicked when speaking across the comm, especially a higher-up. They’re going to be calm.
Was going to say the same thing. Everyone reacts to things differently but I would expect a soldier wouldn’t be all frayed and nervous about it.
> Well, I for one can agree that the voice acting in Reach…SUCKS!
>
> I found there was only one type of effect with the voice, and that is when you can hear them through your com. Other then that, it sounds like you are stood in a sound proofed room when they are speaking to you. They sound very bland. I feel there was no effort put into it.
>
> In the Halo 4 campaign, I would love to hear characters actually trying to shout over explosions, or sound out of breathe if they are under-fire. I would love to just here them have some sort of meaning to their voice.
>
> What do you think?
Well, part of the problem with voice acting in Reach was that there wasn’t really anything to talk about.
“Oh, the covenant is over there. Well, I killed them. Moving on…oh, more guys. I guess I’ll kill them too. Hey, a button…I pressed it. There, something happened. More covenant…they’re dead. Moving on…more covenant.”
Granted, a little more pep would have been nice to inject the languid gameplay with a little something, however superficial it may have been, but working first on the plot and then gameplay and then level design and then, finally, acting would probably be a better way to go about bringing more significant, and better, change.
I think the reason the voice acting is being called out so much is because really, really good voice acting can make even a very typical story seem enthralling. I mean, just look at StarCraft: by today’s standards, that game’s story would be terrible, yet the voice acting is so amazing that it makes the plot seem revolutionary.
> As for the voice acting, the only character’s voice acting I like is Jorges. Don’t know how else to describe it, but with everyone else I have that picture in my head of the voice actors standing in the studio and reading their lines when I hear them talking during the campaign. But not with Jorge.
Yeah, the guy who played Jorge is very talented. Also played Captain Mokoena in Brink and Ike Dubaku in 24.
> One or two Bad lines need to be in every Halo game. Its part of their charm.
>
> *See “This cave is not a natural formation.”
To war.
I know what you mean… They’re an epic comic relief, especially when you actually imagine that in a real setting. Like, imagine a bunch of fighter jets trying to meet up with the other troops at “war”.
The voice acting would be so much better if they even copy&pasted “THEY’RE EVERYWHERE!” from the Marathon Trilogy. Or at least brought back that voice actor (I’m sorry, I seem to have forgotten your name, although, you’re probably not reading this, but whatever).
> I understand all of your dismay, but in my opinion they were just trying to emulate how actual military communication should sound. They’re not going to be panicked when speaking across the comm, especially a higher-up. They’re going to be calm.
> > I understand all of your dismay, but in my opinion they were just trying to emulate how actual military communication should sound. They’re not going to be panicked when speaking across the comm, especially a higher-up. They’re going to be calm.
>
> My thoughts too.
That was my thought as well, but there’s a difference between “terrified, but fighting hard to make sure you can be understood by anyone listening” and “let’s just get this -Yoink!- recording over so you can pay me”.
> > > I understand all of your dismay, but in my opinion they were just trying to emulate how actual military communication should sound. They’re not going to be panicked when speaking across the comm, especially a higher-up. They’re going to be calm.
> >
> > My thoughts too.
>
> That was my thought as well, but there’s a difference between “terrified, but fighting hard to make sure you can be understood by anyone listening” and “let’s just get this -Yoink!- recording over so you can pay me”.
And there’s a difference between “OMG! How’d the find us! We’re little school girls! Let’s scream!” and being battle hardened Spartans who’ve fought the Covenant before. They knew the Covenant would find them, it was only a matter of time. They were fighting a losing battle and they knew it. It required a more somber tone than a “OMG! OMG! OMG! SCARY!” one and they did a good job.
> > > > I understand all of your dismay, but in my opinion they were just trying to emulate how actual military communication should sound. They’re not going to be panicked when speaking across the comm, especially a higher-up. They’re going to be calm.
> > >
> > > My thoughts too.
> >
> > That was my thought as well, but there’s a difference between “terrified, but fighting hard to make sure you can be understood by anyone listening” and “let’s just get this -Yoink!- recording over so you can pay me”.
>
> And there’s a difference between “OMG! How’d the find us! We’re little school girls! Let’s scream!” and being battle hardened Spartans who’ve fought the Covenant before. They knew the Covenant would find them, it was only a matter of time. They were fighting a losing battle and they knew it. It required a more somber tone than a “OMG! OMG! OMG! SCARY!” one and they did a good job.
There’s a huge difference between “OMG! How’d they find us! We’re little school girls! Let’s scream!” and “There are Covenant on the most important human planet (militarily, economically, and tactically, if not culturally and historically). They arrived completely unexpectedly and now we’re fighting for our lives. Our families and our friends are possibly on Reach and other Inner planets, with little to no chance of escaping, or they have been killed along with billions of other people when the Covenant wiped out the Outer Colonies. We know what they’re capable of, and we know we’re fighting a losing battle no matter how much ONI tries to cover it up, but we tried to tell ourselves that High Command would find some way to defeat or make peace with the enemy. Now the genocidal Covenant are on Earth’s doorstep, and the time frame of humanity’s survival has shrunk to months, if not weeks. We may be soldiers, but we’re still human. And we’re terrified.”
They’re not cold, macho, invincible, fearless, emotionless, robots, they’re simple soldiers. Even SPARTANS are capable of emotions, including fear. That line was just terrible. It didn’t even sound like the guy was in shock, or anything. It sounded as though he was merely bored. That’s not good voice acting.