Seems like it doesnât fit the tone that you had in mind, because everything else seems to be matching with a clear general tone for Infiniteâs Multiplayer. Bonus Challenge: explain the difference between some of the various kill effects and a floating Heart Cloud in Halo Reach.
And one canât competently and confidently rock cat ears? Daisy-023 gunned down scores of Covenant swearing her MJOLNIR off and rocking a teddy bear keychain. And what if seeing someone dressed up as a Gundam (using âcanonicalâ colors and armors) breaks my immersion? Where is the line drawn?
No they didnât. The âtoneâ between Halo: CE and 2 was vastly different, 2 being much more grand and Space Operatic. Halo 3 had more of a âPlasticâ vibe, and Halo 3: ODST was able to take that and make it much more of a Film Noir vibe. And Halo Reach? Wildly different than all of them, taking on a much more grim and gritty feel. That the five had any sort of tonal cohesion is an absolute delusion.
And 343 did have a consistent tone. Halo 4 and Halo 5 meshed very well together, portraying a UNSC bolstered by victory following the Great War, and a wealth of technology developed from recovered Forerunner artifacts. Sadly, thatâs been neutered by this nostalgic outcry for âclassicâ aesthetics.
Your opinions are of course your own, but I think theyâre pretty terrible and pessimistic views on the new direction of Halo. Itâs clear to me that 343 has far more passion for Halo than Bungie ever did. Bungie, whoâs lead, Jason Jones, couldnât even bother to stick around for half of Halo 2âs development and left his team floundering. Bungie, who clung to the IP only because Microsoft required them to, and had emotionally left it as early as Halo 3: ODST. Rose colored glasses, my friend.
Same challenge to you as above: Whatâs the difference between a floating Halo ring and a cloud of winged hearts?
Clippy? In my Halo???
âCommon Senseâ to you is narcissistic negativism to others.
No, the Devs own categorization supports an intersection of canonical and extra-canonical cosmetics. A fragmentation and merging of realities where alternate realities have minorly merged, to where these alternate realities have slipped through and left a mark.
You say that youâd be in support of wherever they draw the line for whatâs in and whatâs out. And what if there is no line, and itâs all in?